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THE MAN WITH THE GOLDEN ARM. Nelson Algren. THE MAN WITH THE GOLDEN ARM.
Garden City: Doubleday & Co. 1949. First edition. Winner of the first National Book Award and made into the movie that resurrected Frank Sinatra's career. "Unrevised proofs" in tall, plain blue wraps with light-blue label printed in black. Measures 6 7/8 x 11 3/4"; last page number is "122" but pagination is double in that the pages are numbered "1A," "1B," and so on. A RARE ITEM, we know of only one other copy, which is in a University collection. A few minor scuffs and creases, otherwise near fine. Housed in a custom clamshell case.

[Book #52513]       Price: $3,500.00
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FIFTY YEARS OF AMERICAN POETRY: A Tribute to Marie Bullock. John Ashbery, Hecht Booth, Wilbur, Warren, Merwin, Merrill, Hollander. FIFTY YEARS OF AMERICAN POETRY: A Tribute to Marie Bullock.
(Winston Salem): Palaemon Press, 1984. First edition and only edition of a set of 22 broadside poems, printed in red and black, with each broadside SIGNED by the poet. Reportedly one of only 50 unnumbered copies, but no indication herein. The other poets included are Louis Coxe, Eberhart, Robert Fitzgerald, Daniel Hoffman, Kunitz, John Nims, Nemerov, Schuyler, Strand, May Swenson, Mona Van Duyn, and David Waggoner About 9 x 14 inch, laid in a marbled paper portfolio with printed label on front cover. Fine.

[Book #53650]       Price: $3,000.00
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THE COLLECTED WORKS OF AMBROSE BIERCE. Ambrose Bierce. THE COLLECTED WORKS OF AMBROSE BIERCE.
New York: Neale Publishing Co. 1909 - 1912. First edition. Twelve volumes, EACH OF THE TWELVE VOLUMES SIGNED BY BIERCE on a special "Compliments of" page. Less than one year after the final volume of THE COLLECTED WORKS was issued, Bierce disappeared in Mexico. Contents the same as the limited issue of 250 numbered copies, which were signed in volume one only, with the exception of the addition of the "compliments of" page, which appears in lieu of a colophon page. One of an undisclosed number of copies presumably intended for the use of the publisher and/or author. BEAUTIFULLY BOUND in three-quarter brown leather with burgundy cloth sides; spines each with gilt-stamped raised bands, 4 elaborately gilt-tooled panels with center fleuron, 2 gilt-lettered panels (author and volume number in one, and titles in the other), and, at the bottom, "SPECIAL AUTOGRAPH COPY" between gilt rules; page top edges gilt; pale blue marbled endpapers. From the collection of Willard S. Morse, with his bookish bookplate in each and, tipped to rear pastedown, the "Morse Collection" printed card with handwritten details for this particular set. Volume 2 with signature of Grant E. Bell and date (1938) at bottom of Morse's bookplate and short, penciled quote (from p.76) on verso of first blank leaf. Scattered foxing to few volumes page fore edges, occasional corner rub, otherwise a fine set. Typewritten index to each volumes contents laid in. PRESENTATION SET WITH EACH OF THE TWELVE VOLUMES SIGNED BY BIERCE.

[Book #54511]       Price: $9,500.00
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THE TENANT OF WILDFELL HALL. Anne Bronte, as Acton Bell. THE TENANT OF WILDFELL HALL.
New York: Harper & Brothers, 1848. First American edition in one volume. Hailed on the title page as being by the "Author of 'Wuthering Heights'," though that book was by Emily Bronte, not Anne. An apparent attempt to capitalize on the success of WUTHERING HEIGHTS and JANE EYRE, by their sister, Charlotte. First few and last several leaves foxed but otherwise only occasional scattered foxing to margins, making this a nice, clean copy. In contemporary three-quarter leather binding with brown cloth boards. Edges and corners professionally touched up by Dragonfly Bindery and Studio; altogether very good to near fine. FIRST U.S. ONE-VOLUME EDITION.

[Book #51843]       Price: $1,250.00
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THE LIFE OF SIR JOHN FALSTAFF: With a Biography of the Knight, from authentic sources. Robert B. Brough. THE LIFE OF SIR JOHN FALSTAFF: With a Biography of the Knight, from authentic sources.
George Cruikshank. London: Longman, Brown, Green, Longmans, and Roberts. 1857 and 1858. First edition, in the original, untrimmed and unopened monthly parts: TEN OCTAVO PARTS IN PICTORIAL PAPERWRAPS, housed together in gilt-lettered green-cloth chemise with bookplate of Maude M. Monell and matching green-cloth slipcase. Pale yellow pictorial paperwraps each with woodcut after Cruikshank on front cover and each with two full-page plates at front -- 20 etched plates by Cruikshank in all. Apart from some minor soiling to wrappers an excellent untrimmed set with tissue guards present between all but one set of plates and with all but Part I unopened. Touch of spotting to plates, Part I; old damp stain to plate fore edges, Part VII; and stain to upper corner last several leaves and rear cover, Part VIII. Text on back wrappers corresponding to Cohn's except for Part III ("A List of New Works") and Part IV ("New Books of the Season"). Part VII with 4-page "List of New Works Announced for Publication" dated Nov. 1827 laid in. Cohn 96. ILLUSTRATED BY CRUIKSHANK.

[Book #54014]       Price: $2,500.00
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EVELINA; OR FEMALE LIFE IN LONDON: Being the History of a Young Lady's Introduction to Fashionable Life, and the Gay Scenes of the Metropolis; etc. Frances "Fanny" Burney. EVELINA; OR FEMALE LIFE IN LONDON: Being the History of a Young Lady's Introduction to Fashionable Life, and the Gay Scenes of the Metropolis; etc.
London: Jones & Co. 1822. Illustrated with hand-colored plates, first edition thus. The satirical novelist's first book, originally published in 1778 as EVELINA, OR THE HISTORY OF A YOUNG LADY'S INTRODUCTION TO THE WORLD. Includes 6 full-page hand-colored humorous engravings, three signed W. Heath, and a hand-colored extra-illustrated title page. ORIGINAL SKETCH SIGNED "W. HEATH" and dated "Oct. 1821" of "Evelina with Madame Duval and [illegible]" tipped in at front. The detailed foreground appears to feature most of the cast of characters arriving at the ball against a background roughly sketched in. Bound by Wood, London, in full red leather with gilt-stamped floral design to all corners, including those of the inner dentelles and to five of the spine panels (a sixth panel is lettered in gilt); five raised bands with gilt dots; top edge gilt; marbled endpapers. Fine. WITH AN ORIGINAL SKETCH BY WILLIAM HEATH.

[Book #54531]       Price: $2,500.00
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WORKS OF ROBERT BURNS. Robert Burns. WORKS OF ROBERT BURNS.
London;: James Cochrane and Co. 1834. The works in eight volumes with a biographical sketch by Allan Cunningham and the preface to the first Kilmanock (1786) in the first volume; and second Edinburgh (1787) edition reprinted in the second volume. First of this edition. Bound in full leather; red spine with raised bands; and green boards. Six spine compartments with gilt designs. Gilt border lines with circles at each corner. Marbled endpapers and top edge gilt. Contains his poetry, prose and letters. Each volume has an engraved frontispiece--the first is of Burns--and pictorial title-pages, as well as the regular printed title page. All volumes have 1834 in gilt at bottom of spines. Tasteful bookplate of John Randolph Harrison on front pastedowns. Very attractive set.

[Book #40671]       Price: $1,000.00
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APRIL TWILIGHTS. Willa Cather. APRIL TWILIGHTS.
Boston: Richard G. Badger, The Gorham Press, 1903. First edition of her first book; a "vanity press" production of thirty-six poems. Cather reportedly destoryed what remained of the edition in 1908. INSCRIBED, "Mr. J. W. Rankin / From an old friend / Willa Silbert Cather / New York / May Second / 1914." Cather moved to Pittsburgh in 1896 and taught at Central High School for one year. Rankin also taught there, and we assume that is where they formed their friendship. (She moved on to Alleghany High School in 1897 where she taught English and Latin, and became the head of the English department. She left Pittsburgh in 1906.) Recased with the original paper-covering laid down and with the original printed labels retained. Both labels are darkened, the front appears to have had the lettering touched up, and the spine label has been mounted upside-down (with the lettering running down instead of up) and slightly beneath its original location. Not ideal but quite scarce inscribed. HER SCARCE FIRST BOOK, INSCRIBED.

[Book #54535]       Price: $3,500.00
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THE MYSTERIOUS AFFAIR AT STYLES. Agatha Christie. THE MYSTERIOUS AFFAIR AT STYLES.
New York/Toronto: Ryerson Press, 1920. First Canadian edition of her first book. Published using the sheets of the first U.S edition (published by John Lane) and preceding the British first edition, published in 1921. The first appearance of Hercule Poirot. The book has an integral Ryerson title page; we assume it was a small printing. It appears to us that it was rebacked and has new endpapers. The rebacking was a pretty good job and not obvious. Internally clean with no foxing. In a specially made clamshell box printed in black lettering on spine and front. THE FIRST APPEARANCE OF POIROT.

[Book #52258]       Price: $4,000.00
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QUESTIONS ABOUT ANGELS: Poems. Billy Collins. QUESTIONS ABOUT ANGELS: Poems.
New York: William Morrow, (1991). First edition. THE ELUSIVE HARDCOVER ISSUE -- SIGNED on the title page by Collins and dated "Jan 1992." The book was issued simultaneously in softcover and even that issue is scarce. An early selection of poems from the eventual Poet Laureate, exhibiting his usual wry, probing humor. Selected from his many magazine appearances by poet Edward Hirsch for The National Poetry series. Fine in crisp, fine dust jacket with only the faintest crease to rear panel. SCARCE SIGNED HARDCOVER ISSUE.

[Book #53538]       Price: $1,250.00
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THOMAS WOLFE. Pat Conroy. THOMAS WOLFE.
Atlanta: Old New York Book Shop Press, 2000. First edition. Letter H, One of 24 lettered copies (lettered "A" through "X") with an original manuscript page inserted. SIGNED by Conroy and Barry Moser, artist of the frontispiece engraving depicting Wolfe and Conroy. Fine without dust jacket, as issued.

[Book #24801]       Price: $1,250.00
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TEN POEMS. Rita Dove. TEN POEMS.
Lisbon, Iowa: Penumbra Press, 1977. First edition. Number 126 of only 200 copies of the former Poet Laureate and Pulitzer Prize-winning POET'S FIRST BOOK. Number four in Penumbra's "Manila Series." Unprinted, brown, string-tied paperwraps; housed in publisher's printed envelope. This copy INSCRIBED, "For Jeff, with warm wishes from one book lover to another - Rita Dove / 10 Feb 90." Fine in fine envelope with just minor creasing to the flap. Scarce in envelope and signed or inscribed. INSCRIBED "FROM ONE BOOK LOVER TO ANOTHER"

[Book #52919]       Price: $1,500.00
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AN AMERICAN TRAGEDY. Theodore Dreiser. AN AMERICAN TRAGEDY.
New York: Boni & Liveright, 1925. First edition. Two volumes. This trade edition preceded the limited edition by a year and is, in our experience, much scarcer in nice condition then the limited edition. One of Dreiser's most acclaimed books, made into a film in 1931 under this title and in 1951 as "A Place in the Sun" with Montgomery Clift, Elizabeth Taylor and Shelley Winters. A Haycraft-Queen title and on the Time 100 list. The story is based on a notorious 1906 criminal case involving the summertime discovery by resort owners in upstate New York of an overturned boat and the body of 20-year-old Grace Brown. Although he claimed her death was accidental, Chester Gillette was convicted of killing Brown. It was a murder trial that drew international attention, especially when Brown's love letters to Gillette were read in court. Dreiser saved newspaper clippings about the case and studied it closely, eventually basing Clyde Griffiths on Chester Gillette and deliberately giving him the same initials. (Wikipedia) The books themselves are very fine and bright, and the dust jackets are also much nicer than usually found. The jacket on the first volume has had minor repair to fill in a chip at the base of the spine and shows a few darkened spots on front cover. Still scarce in decent jackets and the original paper board slipcase with label on front. The slipcase show some wear and minor repair but is still quite good. PRECEDES THE LIMITED EDITION BY A YEAR.

[Book #52673]       Price: $2,500.00
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THE FINANCIER: A Novel. Theodore Dreiser. THE FINANCIER: A Novel.
New York: Boni & Liveright, 1927. A completely revised edition of his third book. INSCRIBED, "For Brills son Edmund from Theodore Dreiser 1928." The first of the trilogy on Frank Cowperwood, a financier and businessman during an epic period of American history, from the Civil War through the end of the century. Dreiser based the character on Charles T. Yerkes, a traction magnate who had a well-documented and colorful career as an organizer of companies, an art collector and womanizer. Dreiser is still considered a trailblazer in our literature for his honest treatment of American life and the vagaries of human nature. The latter, of course, caused him many problems with the critics of the time. The book is a little cocked and cover has a small mark on bottom right corner, otherwise very good to fine, clean, bright copy. Lacking dust jacket. INSCRIBED BY DREISER.

[Book #53201]       Price: $1,000.00
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REBECCA. Daphne Du Maurier. REBECCA.
New York: Doubleday, Doran & Co. 1938. First American edition. SIGNED by author on publisher's tipped-in page. The author's most famous book. Made into a classic film by Alfred Hitchcock in 1940 with Joan Fontaine, Laurence Oliver, George Sanders, and Judith Anderson. Hitchcock's first American project, which won two Academy Awards, including Best Picture, out of a total of 11 nominations. Olivier, Fontaine and Anderson were all Oscar nominated for their respective roles. Darkening near hinges on pastedowns from binding glue, otherwise about fine in good or better dust jacket with edge wear and chipping at corners and one large chip from bottom rear spine corner affecting publisher's name on spine and small portion of advertisement on rear panel (price on the last book advertised). HER MOST FAMOUS BOOK, SIGNED.

[Book #52775]       Price: $1,750.00
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THE COUNT OF MONTE-CRISTO. Alexandre Dumas. THE COUNT OF MONTE-CRISTO.
M. Valentin. New York: Burgess, Stringer Company, 1846. First U.S. edition. Two volumes, as issued, newly rebound in one volume. Being one of two editions published in America in 1846. The other was published in Boston; priority not established (though we believe this to be the first--see below). This famous tale of revenge and retribution, of which the publisher said "his African blood is warm, and in his pages we accordingly discover the glowings of a heart gushing with feeling....," was inspired by Dumas' own Haitian-born father, an enslaved black man. Both of the American editions are based on the Chapman & Hall London edition of the same year, which was also an unattributed translation with illustrations by M. Valentin. The London edition had 20 illustrations, while this U.S. edition has only 12, which is all that are called for [Rusty Mott of the bookselling firm Howard S. Mott, Inc., kindly pointed out to us an 1847 ad in Marguerite Blessington’s MARMADUKE HERBERT for this book; the ad states, "The work is published in one large Volume, likewise in two Volumes:--in either form it is sold at One Dollar, accompanied by Twelve splendid engravings"]. The Boston edition (with the same text) was issued in four volumes in wraps by H. L. Williams. We believe this Burgess, Stringer edition may be the true U.S. first edition, as both the F. W. Reed bibliography of Dumas (London: Neuhuys, 1933) and the Douglas Munro's BIBLIOGRAPHY OF WORKS TRANSLATED INTO ENGLISH TO 1910 (NY: Garland, 1978) list this edition as the first American and make no mention of the Williams edition. In fact, Reed indicates in his bibliography that an American reprint was issued in the same year as the Burgess, Stringer edition, "but with plates so badly printed as to be almost caricatures of the original." There are two sales records for the Boston edition (one at Goodspeed’s in 1940, the other at Baltimore Book Auction in 1997). However there are NO AUCTION OR SALE RECORDS of this New York edition on either American Book Prices Current or Rare Book Hub. Two volumes, as issued, newly rebound in one volume. Three-quarter leather with raised bands and leather spine labels; with marble boards, new linen hinges, new endpapers, and new sewn headbands. Pages a little age-darkened and light foxing or staining, primarily to margins, throughout. Still good to very good. And, ACTUALLY RARE. AN TRULY RARE BOOK.

[Book #53637]       Price: $6,500.00
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FOUR QUARTETS. T. S. Eliot. FOUR QUARTETS.
New York: Harcourt, Brace, (1943). First U.S. edition, preceding the UK hardback edition. Collects BURNT NORTON, EAST COKER, THE DRY SALVAGES, and LITTLE GIDDING. Cyril Connolly included FOUR QUARTETS in his "Modern Movement: 100 Key Books 1880-1950," saying it was "the most important poem since Yeat's The Tower, and, as many think, of the century." The four titles comprising FOUR QUARTETS were first published separately as pamphlets in London in 1941 and '42. This first printing states "first American edition" and is one of only 788 copies released. A bright, near fine copy in black cloth with bright gilt lettering on spine; in the first-state dust jacket with $2.00 price in upper corner of front flap, back flap blank, and the nine titles listed in bold print on the back panel ending with "Old Possum's." The dust jacket was designed by E. McKnight Kauffer. It shows a small chip to top edge rear panel, short closed tear to top edge front panel, and tiny chips on corners and spine ends. The rear panel is also little darkened but otherwise the dust jacket is very good to near fine. FIRST AMERICAN EDITION.

[Book #53537]       Price: $2,000.00
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FOUR QUARTETS. T. S. Eliot. FOUR QUARTETS.
New York: Harcourt, Brace, (1943). First U.S. edition, preceding the UK hardback edition. Collects BURNT NORTON, EAST COKER, THE DRY SALVAGES, and LITTLE GIDDING--the four titles comprising FOUR QUARTETS, which were first published separately as pamphlets in London in 1941 and 1942. Cyril Connolly included FOUR QUARTETS in his "Modern Movement: 100 Key Books 1880-1950," saying it was "the most important poem since Yeat's 'The Tower,' and, as many think, of the century." This first printing states "first American edition" and is one of only 788 copies released. A good to very good copy in black cloth with corners sharp but a few scattered spots of foxing on endpapers, previous owner's name on front endpaper and gilt on spine somewhat dulled (but still very readable); in the first-state dust jacket with $2.00 price in upper corner of front flap, back flap blank, and the nine titles listed in bold print on the back panel ending with "Old Possum's." The dust jacket, designed by E. McKnight Kauffer, shows a little aging and on the back you can see where a professional conservationist filled in some chipping on top edge as well as a short closed tear. Still, overall, very good. FIRST AMERICAN EDITION.

[Book #54359]       Price: $1,500.00
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THE FAULKNER READER: Selections from the Works of William Faulkner. William Faulkner. THE FAULKNER READER: Selections from the Works of William Faulkner.
New York: Modern Library, (1959). A Modern Library Giant, first edition thus. Originally published by Random House in 1954. INSCRIBED on the front endpaper "To The Maracay Book Club / with gratitude and best wishes / William Faulkner / [illegible, though possibly "Caracas"] / 20 April 1961" and signed on the title page "William Faulkner / Maracay / 10 April 1961." As is well known, Faulkner visited Venezuela on a State Department trip in April 1961; perhaps not known before was that during his travels he made a side trip to Maracay, about 50 miles outside of the capital, Caracas, to visit a book club founded in his honor by a former fellow Mississippian, Vivian Ray. According to Ray's son, "Maracay is located about 50 miles from Caracas and had a strong presence of US citizens due to the factories being installed there, but the main offices were in Caracas. Mr. Faulkner stayed during his visit with William and Victoria Fielden in Caracas, but they also had a residence in La Victoria (adjacent to Maracay) because Philip Morris had their manufacturing plant there. Some biographers say that Mr. Fielden worked with a petroleum company, but nope [Philip Morris is a tobacco company]. All US citizens including my mother stuck together, and they all knew who was who, so when they found out that Mr. Faulkner was coming, they arranged this 'out of protocol' event. I remember my mother telling me of how much Mr. Faulkner enjoyed this particular visit." Old tape shadows to pastedowns and rear endpaper where card was removed; offsetting from book club lending-library stamps on dust jacket flaps to free endpapers, affecting Faulkner’s inscription on front endpaper (which is nonetheless as legible as one could hope from Faulkner); otherwise would be about very good in edge worn but still good dust jacket with label on spine, presumably from the lending library. An interesting glimpse into one of the State Department trips of the Nobel Prize-winning author. INSCRIBED BY FAULKNER.

[Book #52461]       Price: $4,500.00
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GO DOWN, MOSES And Other Stories. William Faulkner. GO DOWN, MOSES And Other Stories.
New York: Random House, (1942). First edition, first issue in black cloth binding with page top edges stained red. A bright, very good to near fine copy in very good, price-clipped dust jacket with only marginal, rubbed chipping and wear.

[Book #52757]       Price: $1,250.00
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FLAPPERS AND PHILOSOPHERS. F. Scott Fitzgerald. FLAPPERS AND PHILOSOPHERS.
New York: Scribner's Sons, 1920. First edition, second printing, published the same month as the first. His second book, with 8 short stories. The first printing was 5000 copies and this scarce second printing was only 3000 copies. Bright and nearly fine with just light offset to the front endpaper from item previously laid in. The dust jacket, which is ONE OF THE SCARCEST FITZGERALD JACKETS, shows extensive professional repair, most noticeably on spine and at head of front panel where--unable to determine the correct text for what would appear to be "2nd Large Printing" (only "ge Printing" remain)--the conservationist opted to fill in with the orange, background color. Fortunately the W.E. Hill cover illustration, depicting a scene from "Bernice Bobs Her Hair" is wholly intact.

[Book #49654]       Price: $2,500.00
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A THEORY OF THE CONSUMPTION FUNCTION. Milton Friedman. A THEORY OF THE CONSUMPTION FUNCTION.
Princeton: Princeton University Press, 1957. First edition. A study for the National Bureau of Economic Research, where Friedman worked at the time. He set forth the permanent income hypothesis, a theory of consumption that assumes rational behavior by agents. In its simplest form, the hypothesis states that a change in permanent income, rather than a change in temporary income, affects the choices that determine a consumer's consumption patterns. The key conclusion of this theory is that transitory, temporary changes in income have little effect on consumer spending behavior, whereas permanent changes can have large effects on consumer spending behavior. 243 pages, including an index. 36 Figures and tables. Dark blue cloth, gilt-lettered spine. Small stamp on front endpaper ("Industrial Relations Department 1957"), otherwise bright and fine in a bright, near fine dust jacket with just one small tear, a few tiny marks and the spine slightly sunned. A very nice copy of a relatively scarce book by a recipient of the 1976 Nobel Prize in Economic, who was known for his research on consumption analysis, monetary history and theory, and the complexity of stabilization policy. The Economist described him as "the most influential economist of the second half of the 20th century ... possibly of all of it." A NOBEL PRIZE-WINNING ECONOMIST.

[Book #52888]       Price: $2,500.00
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STAMBOUL TRAIN. Graham Greene. STAMBOUL TRAIN.
London: William Heinemann Ltd. (1932). First edition. Second issue (as usually seen--there are only a few known copies of the first issue) with "Quin Savory" versus "Q. C. Savory." The change in character name was made at the insistence of J. B. Priestley. According to David Marsh (The Guardian, Oct. 19, 2010), "Foolishly, the novelist and playwright JB Priestley sued Greene for defamation, believing this vain, pompous writer was based on himself--and rather proving the point by doing so." Re-titled ORIENT EXPRESS in the U.S. and made into numerous films including "Murder on the Orient Express" in 1974 with Albert Finney, Lauren Bacall, Ingrid Bergman, Sean Connery, John Gelgud, et al. Black cloth boards with gilt stamped spine featuring a mosque design. STAMBOUL TRAIN was The Book Society choice for December of 1932. This copy with Book Society bookplate bearing ownership signature "Mrs. G. J. Winterhalder Dec. '32." Scattered foxing to fore edges, otherwise near fine in very good or better dust jacket with old tape repair on verso (not visible from front), spine a little darkened, spine ends and corners nicked and rubbed and with a few light creases. Scarce in the dust jacket. BASIS FOR THE 1974 FILM "MURDER ON THE ORIENT EXPRESS" AMONG OTHERS.

[Book #54287]       Price: $3,500.00
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THE THEORY & PRACTICE OF RIVERS. Jim Harrison, Russel Chatham. THE THEORY & PRACTICE OF RIVERS.
Seattle: Winn Books, 1986. First edition. Number 38 of a stated 350 copies, SIGNED BY HARRISON and the illustrator, RUSSELL CHATHAM. Together with a suite of FIVE 14 x 18" PRINTS SIGNED BY CHATHAM, each marked AP and numbered "31/40," and a colophon indicating the suite was produced specifically to accompany 175 copies of the book. Supposedly 175 of the 350 copies of the book were signed by both Harrison and Chatham and came with the suite of prints by Chatham, and the other 175 were signed only by Harrison and did not include the prints. As so few of the purported 175 suite of prints have shown up on the market, we wonder if there were more than 40 copies of the "proof" and if those are what sometimes appear. (The publisher has indicated in a letter to us that none of the copies were numbered. Yet, this copy is numbered and there are others recorded as such.) The book is near fine and the slipcase is lightly soiled with a few small smudges, and a faint half-moon shadow, presumably a partial glass ring, but still very good or better. The prints and accompanying colophon are fine.

[Book #52697]       Price: $1,250.00
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THE DOOR STANDS OPEN: Czeslaw Milosz 1911-2004. Seamus Heaney. THE DOOR STANDS OPEN: Czeslaw Milosz 1911-2004.
Dublin: Irish Writers Center, 2005. First edition. Number 8 of 250 SIGNED numbered copies. Includes two poems and an essay written by Seamus Heaney in memory of Milosz. Designed by Pawel Tryzno and printed partially on Zanders Zeta paper and partially on handwoven paper by the Book Art Museum, Lodz, Poland. The book has stainless steel covers and comes in a prepared mixed-media wrap featuring a silkscreen collage of articles published in Polish newspapers in the days following Milosz's death. Housed in an elaborate, folding, black-cardstock case with dripping black-ink design on one edge and author's name in silver on front. There were another 50 copies in the special deluxe edition in an even more intricate housing. Fine. SIGNED LIMITED EDITION.

[Book #50591]       Price: $1,500.00
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